At a time when many US citizens feel powerless to stop the criminal direction of 'their' government, the examples of revolutionary movements elsewhere give not only hope, but practical education towards organizing a society where humans outrank profit on the list of social priorities. The 'Oaxaca Commune' in Mexico is such an example. The Mexican federal government has taken severe action in repressing this popular movement, but further organizing and revolutionary momentum has already begun. The huge successes of the movement and its continued political evolution should thus be an inspiration for all those interested in social progress. The scant coverage given by the New York Times simply discounted the events as the actions of wayward 'anarchists and protesters'.
A recent event in Portland Oregon highlighted the interest that average people have in the ongoing events in Oaxaca, showcasing the dormant political energy that many are desperately trying to direct into action. On February 4th, an art show was held at Liberty Hall that displayed the revolutionary street art that emerged from the streets of Oaxaca. In Oaxaca, the most widely used art is stencil, practical because it is easily transported around the city and quickly spray-painted onto buildings. The stencil art varies considerably, from mere political slogans to juxtaposed images of past revolutionary figures. The reception to the Portland art show was astonishing— the venue was filled far beyond capacity. The Oaxaca-Oregon solidarity group— including WIL members who helped organize the event— used the turnout as a tool for political education: presentations were given about the effects of NAFTA on the region, and how the accumulated discontent paved the way for open insurrection.
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