audio: MP3 at 3.4 mebibytes:
link to maritimes.indymedia.org
sidebrow: mez en braithwaite
In the beginning was the word and the word was bass. And the bass
was good and Gawd saw that it was good and Gawd said and Gawd left
plenty. Gawd left notes and files and jams and cycles.... and Vico saw
that Homer saw and Virgil heard and cyphered the story of blindness and
loss of self and he turn Us all into brave warriors who feared nadathin,
and refused to forget and stepped to fate like like yšnkee and
fadayee,-- lawrence ytzhak braithwaite -- "T U R N T A B L E I N T E R R
O G A T I O N T E C H N I Q U E S"
An online & print journal dedicated to innovation & collaboration,
Sidebrow provides a forum for exploring the collective & the singular in
the literary arts. By taking an open-ended approach to its construction,
Sidebrow expands on the traditional literary journal model, showcasing
communally derived literary pieces alongside individual works.
Sidebrow evaluates submissions both as stand-alone set pieces & as
points of departure for collaboration with editors & fellow
contributors. Writers whose submissions resonate with other pieces under
evaluation will be contacted to participate in communal constructions
based on their work. To open the assembly of each issue of Sidebrow ,
editors will post pieces periodically in hopes of stirring creative
response. Submissions that reimagine, depart from, or explore the
interstices between posted pieces are highly encouraged. As a way of
stimulating such submissions, editors will annotate potential fodder for
response for most posted pieces. And, as each issue evolves, editors
will also post calls for submissions based on predefined constraints.
Check back periodically for potential parameters to incorporate in your
work, or send your email address to constraint (at) sidebrow (dot) net
to receive updates.
Sidebrow seeks fiction, poetry, art, essay, ephemera, found text,
academic inquiries into mathematics, economics, & the sciences,
political analysis, and literary, cultural, & art critique. In short,
engaging material regardless of ilk. Given its desire to unlock what is
common to disparate literary, artistic, & cultural pursuits, Sidebrow
encourages the submission of both partial excerpts and fully formed works.
Queries and all other correspondence should be sent to sidebrow (at)
sidebrow (dot) net.
L a w r e n c e Y t z h a k B r a i t h w a i t e
T U R N T A B L E I N T E R R O G A T I O N T E C H N I Q U E S
[from More at 7:30: Notes From New Palestine]
M e z B r e e z e
_ G L O B . O I L + C L I M A T E . A L T . A F T E R M A T H _
"good violence: d.u.n."
Planning an attack on a gritty city/a too tall with an army of sycophants and a castrated bulldog/shout out weight/ all over the funkedelic cracked heads on Kane/can you maintain/too deep in the con/to strike a sicness back into a hood long abandoned...
a lord patch decondubbed poetic piece (or hip hop poetics) from a project entitled "notes from new palestine"(fernwood in victoria, bc) a more at 7:30 production
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