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A cruel edge: The painful truth about today's pornography -- and what men can do about it

An abridged version of this appeared in MS magazine, Spring 2004, pp. 54-58. The complete text was published as "Cruel to be hard: Men and pornography," in Sexual Assault Report, January/February 2004, pp. 33-34, 45-48. Robert Jensen is a journalism professor at the University of Texas at Austin and a founding member of the Nowar Collective, www.nowarcollective.com. He is the author of Citizens of the Empire: The Struggle to Claim Our Humanity (City Lights Books).
After an intense three hours, the workshop on pornography is winding down. The 40 women all work at a center that serves battered women and rape survivors. These are the women on the front lines, the ones who answer the 24-hour hotline and work one-on-one with victims. They counsel women who have just been raped, help women who have been beaten, and nurture children who have been abused. These women have heard and seen it all. No matter how brutal a story might be, they have experienced or heard one even more brutal; there is no way to one-up them on stories of male violence. But after three hours of information, analysis, and discussion of the commercial heterosexual pornography industry, many of these women are drained. Sadness hangs over the room.

Near the end of the session, one women who had been quiet starts to speak. Throughout the workshop she had held herself in tightly, her arms wrapped around herself. She talks for some time, and then apologizes for rambling. There is no need to apologize; she is articulating what many seem to be feeling. She talks about her own life, about what she has learned in the session and about how it has made her feel, about her anger and sadness.

Finally, she says: "This hurts. It just hurts so much."

Everyone is quiet as the words sink in. Slowly the conversation restarts, and the women talk more about how they feel, how they will use the information, what it will mean to their work and in their lives. The session ends, but her words hang in the air.

It hurts.

It hurts to know that no matter who you are as a woman you can be reduced to a thing to be penetrated, and that men will buy movies about that, and that in many of those movies your humiliation will be the central theme. It hurts to know that so much of the pornography that men are buying fuses sexual desire with cruelty.

It hurts women, and men like it, and it hurts just to know that.

Even these women, who have found ways to cope with the injuries from male violence in other places, struggle with that. It is one thing to deal with acts, even extremely violent acts. It is another to know the thoughts, ideas, and fantasies lie behind those acts.

People routinely assume that pornography is such a difficult and divisive issue because it's about sex. I think that's wrong. This culture struggles unsuccessfully with pornography because it is about men's cruelty to women, and the pleasure men sometimes take in that cruelty. And that is much more difficult for people -- men and women -- to face.



Mainstream pornography

Pornographic movies tells stories about sex. The question is, what kind of stories? For whom? From whose point of view?

There are different pornographic genres telling different stories, but I am concerned here with the story told in mainstream heterosexual pornography. What kind of story about sex does such pornography tell the all-American boy, and what does that mean for the girl next door?

Let's start with that phrase. By mainstream heterosexual pornography I mean the videos and DVDs that are widely available in the United States today, marketed as sexually explicit (what is commonly called "hardcore"), rented and purchased primarily by men, depicting sex primarily between men and women. The sexual activity is not simulated; these videos are a record of sex between the performers. What happens on the screen happened in the world.

This analysis is based primarily on three qualitative studies of pornographic videos I have conducted since 1996. I use the term "mainstream" to describe the tapes because I excluded what many would consider the non-representative fringe of the pornography market -- bondage and sadomasochistic tapes; any tape that advertised explicit violence, urination, or defecation; and child pornography (the only material clearly illegal everywhere in the United States). There is no shortage of such material in this country -- in shops, through the mail, on the internet, or underground (in the case of child pornography) -- but I passed over all of that. Instead, I visited stores that sold "adult product" (the industry's preferred term) and asked clerks and managers to help me select the most commonly rented and purchased tapes. I wanted to avoid the common accusation that feminist critics of pornography pick out the worst examples, the most violent material, to critique. In one of the stores I visited, the section from which I rented tapes is actually labeled "mainstream."

What I describe here is not an aberration. These tapes are broadly representative of the 11,303 new hardcore titles that were released in 2002, according to the Adult Video News, the industry's trade magazine. They are the mainstream of a pornography industry with an estimated $10 billion in annual sales. They are what brothers and fathers and uncles are watching, what boyfriends and husbands are watching. And, in many cases, what boy children are watching.

Here is a sample from my 2003 research, starting with the so-called "couples market," the tapes the industry says it makes to appeal not just to men but to women. These films, sometimes called "features," typically have a minimal plot line and make attempts, no matter how badly executed, at character development. From there, I'll move to "gonzo," films that have no pretense of narrative and simply present sexual activity, sometimes shot "POV" (from the point of view of the man engaging in sex).

"Sopornos IV" is a 2003 release from VCA Pictures, one of the "high-end" companies that produces for what the industry calls the "couples market." The plot is a takeoff on the popular HBO series about mobsters. In #4, mob boss Bobby Soporno is obsessed with the thought that everyone in his life is always having sex, including his crew and his daughter. In the final sex scene his wife has sex with two of his men. After the standard progression through oral and vaginal sex, one of the men prepares to penetrate her anally. She tells him: "That fucking cock is so fucking huge. ... Spread [my] fucking ass. ... Spread it open." He penetrates her. Then she says, in a slightly lower tone, "Don't go any deeper," and she seems to be in pain. At the end of the scene, she begs for their semen ("Two cocks jacking off in my face. I want it."), opens her mouth, and the men ejaculate onto her at the same time.

"Two in the Seat #3" is a 2003 release from Red Light District that consists of six separate scenes in which two men have sex with one woman, culminating in double-penetration (d.p.), in which the woman is penetrated vaginally and anally at the same time. In one scene, 20-year-old Claire, her hair in pigtails, says she has been in the industry for three months. Asked by the off-camera interviewer what will happen in the scene, she replies, "I'm here to get pounded." The two men who then enter the scene begin a steady stream of insults, calling her "a dirty, nasty girl," "a little fucking cunt," "a little slut." After the standard progression of oral and vaginal sex, she asks one to "Please put your cock in my ass." During the double-penetration on the floor, her vocalizations sound pained. She's braced against the couch, moving very little. The men spank her, and her buttock is visibly red. One man asks, "Are you crying?" which leads to this exchange:

Claire: "No, I'm enjoying it."

Man: "Damn, I thought you were crying. It was turning me on when I thought you were crying."

Claire: "Would you like me to?"

Man: "Yea, give me a fucking tear. Oh, there's a fucking tear."

As the first man prepares to ejaculate into her mouth, she says, "Feed me your cum" and then displays it in her mouth for the camera. "Swallowed," she says. The second man tells her to "spit all over my dick, bitch." After he ejaculates she wipes the semen off her face with her fingers and eats it. The interviewer asks how her asshole feels. "Feels great. A little raw, but that's good," she says.

"Gag Factor #10" is a 2002 release from J.M. Productions. The company's web site notes the Gag Factor tapes' awards as "best oral series" and answers the question, "What makes Gag Factor different than all other blowjob tapes out there?"

1. Every girl must swallow the load of cum!

2. Every girl gets throatfucked until she gags and almost pukes!

3. Gag Factor has more stroke value than all other blowjob tapes combined!

One of the 10 scenes in the film begins with a woman and man having a picnic in a park. He jokes about wanting to use the romantic moment to make love to her mouth, and then stands and thrusts into her mouth while she sits on the blanket. Two other men who walk by join in. Saying things such as "Pump that face, pump that fucking face," "All the way down, choke, choke," and "That's real face fucking," they hold her head and push harder. One man grabs her hair and pulls her head into his penis in what his friend calls "the jackhammer." At this point she is grimacing and seems in pain. She then lies on the ground, and the men approach her from behind. "Eat that whole fucking dick. ... You little whore, you like getting hurt," one says, as her face is covered with saliva. "Do you like getting your face fucked?" one asks. She can't answer. "Open your mouth if you like it," he says, and she opens her mouth. After they all ejaculate into her mouth, the semen flows out onto her body. After the final ejaculation, she reaches quickly for the wine glass, takes a large drink, and looks up at her boyfriend, and says, "God, I love you baby." Her smile fades to a pained look of shame and despair.



What pornography says about men and women

These three descriptions cover much of the range of the mainstream video and DVD market, of which the gonzo style is the fastest growing segment. Analysis of these scenes could go in many different directions, but what I want to focus on here is the expressions of pain.

I am not suggesting that in every scene in mainstream pornography such expressions of pain are evident. And I acknowledge that I cannot know exactly what the women in these films were feeling, physically or emotionally. I do not presume to speak for them, or for women in pornography, or for women in general. But her is what Belladonna, one of the women who appeared in "Two in the Seat #3," told a television interviewer about such scenes: "You have to really prepare physically and mentally for it. I mean, I go through a process from the night before. I stop eating at 5:00. I do, you know, like two enemas. The next morning I don't eat anything. It's so draining on your body." Women's experiences no doubt vary, but Belladonna's experience hardly seems idiosyncratic.

However, it is not necessary to reach definitive conclusions about the degree of pain women experience in such scenes to make one important observation. In these scenes, all three women at some point clearly appeared to a viewer to be in pain. Their facial expressions and voices conveyed that what was being done to them was causing physical discomfort and/or fear and/or distress. Given the ease with which video can be edited, why did the producers not edit out those expressions? There are two possible answers. One, they may view these kinds of expressions of pain by the women as of no consequence to the viewers' interest, and hence of no consequence to the goal of maximizing sales; women's pain is neutral. The second possibility is that the producers have reason to believe that viewers like the expressions of pain; women's pain helps sales.

Given that the vast majority of those who will rent or buy these tapes are men, from that we can derive this question: Why do some men find the infliction of pain on women during sexual activity either (1) not an obstacle to their ability to achieve sexual pleasure or (2) a factor that can enhance their sexual pleasure? Phrased differently: Why are some men so callous and cruel sexually?

By that, I don't mean to ask why are men capable of being cruel in some general sense. All humans have the capacity to be cruel toward other humans and other living things, and we all have done cruel things in our lives, myself included. Contemporary mainstream heterosexual pornography raises the question: Why do some men find cruelty to women either sexually neutral or sexually pleasurable?

Feminist research into, and women's reflection upon, experiences of sexual violence long ago established that rape involves the sexualization of power, the fusing in men's imaginations of sexual pleasure with domination and control. The common phrase "rape is about power, not sex" misleads; rape is about the fusion of sex and domination, about the eroticization of control. And in this culture, rape is normal. That is, in a culture where the dominant definition of sex is the taking of pleasure from women by men, rape is an expression of the sexual norms of the culture, not violations of those norms. Sex is a sphere in which men are trained to see themselves as naturally dominant and women naturally passive. Rape is both nominally illegal and completely normal at the same time.

So, there's nothing surprising in the observation that some pornography includes explicit images of women in pain. But a healthy society would want to deal with that, wouldn't it? And from my research, both through these content analysis projects and my reading of material from the industry, it seems clear that mainstream heterosexual pornography is getting more, not less, cruel. A healthy society would take such things seriously, wouldn't it?



Infinite are the ways we can be cruel

There are only so many ways human beings can, in mechanical terms, have sex. There are a limited number of body parts and openings, a limited number of ways to create the friction that produces the stimulation and sensations, a limited number of positions from which the friction can be produced. Sexual variation, in this sense, is finite because of these physical limits.

Sex, of course, also has an emotional component, and emotions are infinitely variable. There are only so many ways people can rub bodies together, but endless are they ways different people can feel about rubbing bodies together in different times, places, and contexts. When most non-pornographic films, such as a typical Hollywood romance, deal with sex they draw on the emotions most commonly connected with sex, love and affection. But pornography doesn't, because films that exist to provide sexual stimulation for men in this culture wouldn't work if the sex were presented in the context of loving and affectionate relationships. Men typically consume pornography specifically to avoid love and affection.

That means pornography has a problem. When all emotion is drained from sex it becomes repetitive and uninteresting, even to men who are watching primarily to facilitate masturbation. So, pornography needs an edge. Pornography has to draw on some emotion, hence the cruelty.

When the legal restrictions on pornography slowly receded through the 1970s and '80s, and the presentation of sex on the screen was by itself no longer quite so illicit, anal sex became a standard feature. Anal sex was seen as something most women don't want; it had an edge to it. When anal sex became routine in pornography, the gonzo genre started pushing the boundaries into things like double-penetrations and gag-inducing oral sex - again, acts that men believe women generally will not want. The more pornography becomes normalized and mainstreamed, the more pornography has to search for that edge. And that edge most commonly is cruelty, which emotionally is the easiest place to go for men, given that the dynamic of male domination and female submission is already in place in patriarchy.

This analysis is not news to the industry. As Jerome Tanner put it during a pornography directors' roundtable discussion featured in Adult Video News, "People just want it harder, harder, and harder, because like Ron said, what are you gonna do next?" Another director, Jules Jordan, was blunt about his task: "[O]ne of the things about today's porn and the extreme market, the gonzo market, so many fans want to see so much more extreme stuff that I'm always trying to figure out ways to do something different. But it seems everybody wants to see a girl doing a d.p. now or a gangbang. For certain girls, that's great, and I like to see that for certain people, but a lot of fans are becoming a lot more demanding about wanting to see the more extreme stuff. It's definitely brought porn somewhere, but I don't know where it's headed from there."

Director Mitchell Spinelli, interviewed while filming the first video ("Give Me Gape") for a series for his new Acid Rain company, seemed clear where it was heading:

"People want more. They want to know how many dicks you can shove up an ass," he says with a shrug. "It's like Fear Factor meets Jackass. Make it more hard, make it more nasty, make it more relentless. The guys make the difference. You need a good guy, who's been around and can give a good scene, fuckin' 'em hard. I did my homework. These guys are intense."

We live in a culture in which rape and battery continue at epidemic levels. And in this culture, men are masturbating to orgasm in front of television and computer screens that present them sex with increasing levels of callousness and cruelty toward women. And no one seems to be terribly concerned about this. Right-wing opponents of pornography offer a moralistic critique that cannot help us find solutions, because typically they endorse male dominance, albeit not these manifestations of it. Some segments of the feminist movement, particularly the high-theory crowd in academic life, want us to believe that the growing acceptance of pornography is a sign of expanding sexual equality and freedom. Meanwhile, feminist critics of pornography have been marginalized in political and intellectual arenas. And all the while, the pornographers are trudging off to the bank with bags of money.

I think this helps explain why even the toughest women -- women who at rape crisis centers routinely deal with sexual violence -- find the reality of pornography so difficult to cope with. No matter how hard it may be to face the reality of a rape culture, at least the culture still brands rape as a crime. Pornography, however, is not only widely accepted but sold to us as liberation.

The struggle for men of conscience is to define ourselves and our sexuality differently, outside (to the degree possible) the domination/submission dynamic. It is not an easy task; like everyone, we are products of our culture and have to struggle against it. But as a man, I have considerable control over the conditions in which I live and the situations I am in. Women do not have that control. Women are vulnerable in a different way. Women are not just at risk of sexual violence but also have to deal with how men, who disproportionately hold positions of power in this society, view them. Women do not, and cannot, control that in the short term.

When a female student has a meeting about a research project with a male college professor who the night before was watching "Gag Factor #10," who is she to him? What is she to him?

When a woman walks into a bank to apply for a loan from a male loan officer who the night before was watching "Two in the Seat #3," what is he thinking?

When a woman goes in front of a male judge who the night before was watching "Sopornos #4," does she want to throw herself on the mercy of the court?

But some will argue: How can you assume that just because men watch such things they will act in a callous and cruel manner, sexually or otherwise? It is true that the connection between mass-media exposure and human behavior is complex and not well understood. Social scientists, like most experts, argue both sides. I think the evidence clearly shows that in some cases pornography influences men's sexual behavior. But whatever one's view on that, this fact is not in question: Lots of men -- including professors, bankers, and judges -- pay money to watch those images and masturbate to orgasm watching those images. And they aren't simply images of sex. Often they are images of men being sexually cruel toward women.

If you are a woman, ask this: Do you want to seek out such a man as a partner?

If you are a man, ask this: When seeking a woman as a partner, would you advertise that you enjoy these images?

Why not?

This all would be easier if we could pretend that these images are consumed by some small subset of deviant men -- if we could answer the question "what kind of men like those things" by pointing to emotionally disturbed men, or pathological men who have some problem that could explain this. Then we could identify and isolate those bad men, maybe repair them. But the answer to the question is: Men like me. Men like all of us. Men who can't get a date and men who have all the dates they could want. Men who live alone and men who are married. Men who grew up in liberal homes in which pornography was never a big deal and men who grew up in strict religious homes in which no talk of sex was allowed. White and black and brown and any-other-color-you-can-imagine men. Rich men and poor men. And all the king's men.

I am not suggesting all men use pornography, or that all men who use pornography want material in which women are hurt and humiliated, or that all men who use pornography are bound to then want to hurt and humiliate women. I am simply saying that much of the pornography in the United States records scenes of women being hurt and humiliated; that men masturbate to orgasm to those images; and that those men are not deviants but are acting on the cultural norms that are widely taught. And I am suggesting that these facts should matter to us; they should scare us.



There is no way to say this that isn't harsh



I am sorry for what I am about to write, because it is harsh, and it may not be fair for a man to write this. But this is the truth, and I am more afraid of what will happen if we don't face the truth than of being harsh or unfair.

Men spend $10 billion on pornography a year. 11,000 new pornographic films are made every year. And in those films, women are not people.

In pornography, women are three holes and two hands.

Women in pornography have no hopes and no dreams and no value apart from the friction those holes and hands can produce on a man's penis. If anyone doubts that, let me describe one more video from my research, one more video from the mainstream section of a store that carries adult product, where men rent and buy films to help them masturbate.

"A Cum Sucking Whore Named Kimberly" is a 2003 release from Anabolic Video Productions. The tape is a compilation of five scenes featuring Kimberly, taken from five other films produced by this company. The first scene is from "World Sex Tour #25," in which two men explain that this will be Kimberly's first anal scene and first d.p. Kimberly is French Canadian and speaks little or no English. At the end of the scene, when the men ejaculate into her mouth, she starts to gag, and the two men tell her (through a translator off screen) that she has to swallow the semen, which she does. Through the translator, they tell Kimberly to say, "Thank you for fucking me in Montreal." Kimberly says, "Thank you for fucking me in Montreal." The scene ends with the two men talking later about the experience. "We blew out her asshole," one says. This is how the film presents Kimberly's introduction to what she will be in pornography, what men want her to be.

The remaining scenes follow Kimberly through her "career" in pornography, finishing with "Gang Bang Girl #32." In this scene a frustrated football coach berates his players after practice, asking them whether they are "football players or fags." He says they will lose the game the next day, which he wouldn't mind if his players were men -- he just hates to lose with fags. He turns to the assistant coach and says, "prove to me they're not fags" before walking away. The proof will be in the 13 players having sex with Kimberly, one of the cheerleaders in the stands. She comes down to the field and engages in sex in a variety of different positions. As the men wait for their turn, they stand around her, masturbating to keep their erections, joking and laughing. At one point she is in a double-penetration with a third man's penis is in her mouth while she masturbates two other penises.

She is three holes and two hands.

One by one the men ejaculate, most of them into Kimberly's mouth. One man ejaculates into a protective cup and then pours it into her mouth. The last man ejaculates inside her vagina, and then she stands and catches his semen in her hand. She moves forward to face the camera and starts to lick it off her hand. At first she can't quite bring herself to do it, but then she does, making a pained face and gagging slightly. The scene ends with the men dumping the water from a large jug on her.

Anabolic Video made that gang-bang film and sold it once. It was successful enough to excerpt and sell again. Men rented and purchased these tapes, and masturbated to orgasm while watching Kimberly in those positions. And they keep buying and renting. As I write this, "Gang Bang Girl" is on videotape number 34 and World Sex Tour is on number 27. There are 10 tapes in the "Cum Sucking Whore Named ... " series.

In a society in which so many men are watching so much pornography that is rooted in the pain and humiliation of women, it is not difficult to understand why so many can't bear to confront it: Pornography forces men to face up to how we have learned to be sexual. And pornography forces women to face up to how men see them.



The only resistance is collective, and the pornographers want to squash it

When I critique pornography, I often am told to lighten up; sex is just sex, people say, and I should stop trying to politicize pornography. But pornography obviously is political. Telling men stories about sex in which women are three holes and two hands, not people, is political. It offers men a politics of sex and gender. And that politics is patriarchal and reactionary.

As with any political issue, successful strategies of resistance to injustice and oppression must be collective. There cannot be personal solutions to political problems. If we avoid engaging political problems in public and hope to make the best of things in private, we fail. Pornographers know that, which is why they want to make sure no collective remedies for women (through legislation or the courts) are considered, let alone enacted. But they also would prefer that none of these issues even be discussed in public. In recent years, their strategies for cutting off that discussion have been remarkably successful. When we criticize pornography, we typically are told we are either sexually dysfunctional prudes who are scared of sex, or people who hate freedom, or both. That works to keep many people quiet. The pornographers desperately want to keep people from asking the simple question: What kind of society would turn the injury and degradation of some into sexual pleasure for others? What kind of people does that make us -- the men who learn to find pleasure this way, and the women who learn to accept it?

The pornographers want to label any collective discussion of the meaning of intimacy and sexuality as repression. They want to derail any talk about a sexual ethic. They, of course, have a sexual ethic: Anything goes. On the surface that seems to be freedom: Consenting adults should be free to choose. I agree they should. But in a society in which power is not equally distributed, "anything goes" translates into "anything goes for men, and some women and children will suffer for it." Any society that claims to take freedom seriously must engage in a discussion about power, and take steps to equalize power. That means taking steps to end men's domination of women.

There are many controversial questions in the pornography debate: What is the nature of the relationship between sexually explicit media and behavior? Under what conditions can the consent of people involved in acts that may be detrimental to their own well-being be questioned? What harms of speech acts can trump free-speech concerns?

But there should be nothing controversial about this: To criticize pornography is not repressive. To speak about what one knows and feels and dreams is, in fact, liberating. We are not free if we aren't free to talk about our desire for an egalitarian intimacy and sexuality that would reject pain and humiliation.

That is not prudishness or censorship. It is at attempt to claim the best parts of our common humanity -- love, caring, empathy, solidarity. To do that is not to limit anyone. It is to say that people matter more than the profits of pornographers and the pleasure of pornography consumers. It is to say, simply, that women count as much as men.

-----------------------------

This article posted from:
 http://uts.cc.utexas.edu/~rjensen/freelance/pornography&cruelty.htm

homepage: homepage: http://www.nowarcollective.com
phone: phone: (512) 471-1990
address: address: School of Journalism, University of Texas, Austin, TX 78712

Interesting... 13.Jul.2004 12:33

alsis38

...I've seen this article before on more than one feminist board. Likewise the related article posted here about a week ago. Interesting to compare the articles with the also-recently posted Libertarian diatribe against Medea Benjamin as a "whore" giving "blowjobs" or whatever. I'm a great admirer of Benjamin's work, though I'm disappointed at her lining up behind Kerry. If a "good Leftist" wouldn't acuse, say, Jesse Jackson of performing (insert favorite racist stereotypical action here) for Kerry, he has no business casting Benjamin into some degrading little porno loop inside his own messed-up mind and then inflicting his assholishness on the rest of us. It's vile, it's sexist, and it's unworthy of the anti-war or the 3rd-Party movement.

Fails to Make Connection 13.Jul.2004 13:06

Transglobal

The article fails to make a strong connection between the deliberate dumbing down of America (and the rest of the world) and globalist agenda which seeks to make slaves of us all. The degradation of ethics and moral values part and parcel comprises a major priority in the globalist agenda. Reduce the population to the status of unthinking, rutting slaves. With interest only in the remote control in one hand and the private parts in the other, they will care not for other human beings. Certainly they will care not for even their own euthanthos.

Womyn, unite to smash patriarchy 13.Jul.2004 20:00

NOW!

When will womyn say: enough is enough! We are going to unite and create a political party of our own to smash the patriarchy and its degrading psychopathic development passing itself as sexual freedom.

This article successfully makes the connection... 13.Jul.2004 20:10

GRINGO STARS

...between feminism and the male need to change from typical masculinity towards true humanity. There are a lot of so-called feminists who sing the praises of pornography, but then again there are so-called feminists who are anti-choice as well, as well as ultraconservative "I-feminists" who say that feminism is whatever they want it to be, including things that are virtually synomomous with protecting patriarchy's power over women.

The original article above is a follow up to this article:
 http://portland.indymedia.org/en/2004/07/292116.shtml

messed-up world we live in 14.Jul.2004 02:34

isn't it

When I was a grade school kid in the '70s, in California, boys and girls didn't socialize in mixed groups, and it was common for kids of each gender to profess hatred of the other gender.

I didn't get it then. It didn't make any god damned sense to me then, and I didn't know why it didn't disturb anybody else. For a couple years my little clique (three boys and a girl) was the only exception in the whole school; other years I just went along with it and hung with my own kind like I was supposed to. I don't have kids of my own, and I don't know if things are any different now.

When I was a high-school kid in the '80s, I knew a couple guys who were queer. They didn't tell very many other people. To say that it's a lot easier for high-school queers now is not to say it's easy or fair today.

In our society -- maybe in most societies -- for all I know in every damn human society -- gender dysfunction and hatred of various sorts starts young and is never corrected or discouraged. I still don't fucking get it. I have no idea what "normal" guys are into sexually. "Normal" guys are the same ones who were eager to explain how and why they hated girls when they were eight years old. I believed them then. I have no reason to believe they ever stopped.

Personal experience at porn shop 14.Jul.2004 07:12

male observer

Thanks for this article, the sexual imagery in media from soft porn on network TV to hardcore S&M needs to be talked about openly and honestly.

With that it mind let me relate a recent personal experience i had when walking into a porn shop.

Late at night, 24 hour porn shop, as i walk in the door, young white male behind counter stares at me.

i ask "is it ok if i look around?"

"Still a free country." is his reply.

(is it really?)

There is nobody else in the store, the music playing is a heavy/death metal? group with some lyrics "i hate you" as repeated refrain(Coincidence?)

First i look at the bisexual videos, m/m/f, m/f/f, m/m/f/f/, etc. men are kissing/sexing each other and women. Could see any overt cruelty, pained expressions or name calling (slut, bitch, etc.)

Then i migrate to the hetro section, and here every other movie has the word slut, bitch, etc. in the description. There is also the underlying "hurt" expression on women in some pictures, though this is difficult to interpret from looking at the box.

The heavy/death metal music continues playing, then interupted by an "Amber alert". The description is of a young woman missing and in possible danger. The storekeeper says to another customer (or himself), "Well, she's not in here."

Callous and cold hearted.

After that i began feeling ill. An image of a young white man i remember seeing before standing in front of a bright yellow HUMvee cracking his knuckles at me flashed through my mind. Another place, another time, yet somehow the personality fit. Since i am often prone to paranoia, i cannot always take these thoughts to serious, but the match up was not only physical, but personality also.

Personally i detest organized religion, and the moral religious right's hypocrisy is so obvious when looking at the semmingly opposing effect of religious patriarchal monogamy vs. capitalist patriarchal pornography. It almost seems each one feeds off the other.

Yeah, and if all the pornography shops burned down tomorrow, i wouldn't shed a tear.

That's coming from my heart.

A lot of Gay porn is counterpoint to this 14.Jul.2004 19:21

Luke from DC

There is still a lot of quality porn in the Gay community that rejects the sort of expolitation described here. Most of us do not want to see people we are attracted to enough to have sex with treated like shit! While degrading material does exist in our community, it is in a distinct minority. More commonly, such ideas as "lusty youth" are presented, showing scenarios where people simply have the hots for oneanother.

For me as a Bi guy, this presents a bit of a problem. If I want something showing both sexes, I have to be extremely choosy. First of all, too much straight porn hides guy's faces(I'm a face man!). Second of all, too much straight porn shows chooses women for looks but uses just any guys(and as such as asyymetrical and unrealistic). Lastly, some of it is degrading. I could look through a whole store full of hardcore straight mags and find only one or two of any interest because of that.

They should abandon that shit with guys dressed but women nude(clothes as a symbol of power), abandon degrading terms for sex workers and those of us who prefer casual sex. You will not sell me a movie or magazine by calling me or someone I want as a sex partner insulting names.

There are two reasons you see so much less of this in Gay porn: One is that gay sex workers don't put up with abuse, and the other is that a lot of the target audience simply doesn't like that shit.

Not the point 15.Jul.2004 11:30

sexual health advocate

Luke, pornography showcasing the indignity and humiliation of humans isn't bad because it doesn't work to effectively get you off.

You're tthinking of yourself and satisfying your desires, which totally misses the point of the destruction done to prostituted people used in the sex industry as well as the normalization of the concept that certain human bodies with inherent rights to sexual autonomy can rightfully be bought and sold in this so-called democracy. Prostitution has shown itself to be extremely damaging to people (one 11-year study done in Olso demonstrates this frighteningly well).

Both porn actors and non-porn actors act out sexual scenes, but non-porn actors are not placed daily in repeated situations where their physical and mental health are put at severe risk. Porn actors come from populations with backgrounds much more similar to prostitutes than actresses, and a European study a few years back found porn actors had 6 times the suicide rate of non-porn actors. As I've said before and I'll say again, there is no such thing as risk-free sex. Humans just haven't gotten that good at solving the myriad of problems surrounding frequent sex with revolving partners yet. Natalie Angiers Pulitzer-winning book "Woman: An Intimate Geography" points out that a woman who has sex with ten different men once each has an inexplicably greater chance of developing pelvic inflammatory disease than a woman who has sex ten times with one man. In 2004, we do not have all the answers, but we have tremendous evidence of prostitution's physical and mental harm and since that's what we've got to go on, that's where the problem solving should begin.

I believe in the theory of equality erotica, and in defining pornography (Grrek: "the graphic depiction of whores") as material that combines sex and/or the exposure of genitals with abuse or degradation in a manner that appears to condone or encourage such behavior. But my dreams of a media that promotes positive sexuality, honest sexual education, and gender equity is so very, very far off that I'm skeptical about claims to this acheivement in gay pornstitution. What gay porn I have seen still uses domination games and power plays (like your example of age difference) to define human sexuality. However, I'll give you that in comparison to heterosexual pornography it has less degradation and outright hatred, but then gay men don't quite "Other" fellow gay men the way hetero men easily "Other" females. A friend once related a comment by a gay male friend of hers in the military, "I thought gay men didn't like women very much, then I went to basic training and saw that heterosexual men have a capacity for hating women that goes beyond any gay men I knew back home."

When I entered my first longterm lesbian relationship I read a lot of books about lesbianism (that scene in Kissing Jessica Stein had me rolling on the floor), and I was sorely disappointed to see similar butch/femme, older/younger, dominant/submissive expressions of hierarchical sexuality presented. After that experience, I figured it's going to be a long time before genuine equality erotica gets even a toehold in mainstream American sexual consciousness. Bummer, huh?

www.erasethedark.com

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Addiction & The Porn Industry 11.Sep.2004 16:36

Tim

Blame it (the source of the cruelty) on the indusrty not the men. Most of the men out there I know, cant stand how porn conveys violence, but still watch it for the excitement. I, as a pornography addicted man know how this feels. I can not stand the type of abusive behavior that these films lodge into your subconcious and concious mind. The porn indusrty purposly creates these type of films because they know sex and violence sells. I do not want to look at that type of pornography and try to stop but I always end up looking at it. When I was a young child developing I was showed a plyaboy and then later a porn video. The event shocked me so much I was captivated. My mind was changed. The pornography industry played with my natural desires, turning them into perversion. It scarred me as a youth, those scars I live with today.
I am a slave to the pornography indusrty as much as I resent it. Other youth should not be exposed to this coruptive cycle, this controlling system of addiction. They should not have to go thorugh what I went through.

Thank You.
You can contact me at  Luverboyz6969@aol.com